-40%

TOKO SHINODA - Variations of Vermillion

$ 48.04

Availability: 100 in stock
  • Return shipping will be paid by: Buyer
  • Restocking Fee: No
  • Condition: New
  • Refund will be given as: Money Back
  • All returns accepted: Returns Accepted
  • Country/Region of Manufacture: Japan
  • Item must be returned within: 14 Days
  • Country of Manufacture: Japan

    Description

    TOKO SHINODA
    Variations of Vermillion
    2003 Exhibition Catalogue
    Published:
    March 18, 2003
    Publisher:
    Hara Museum of Contemporary Art, Tokyo
    New, Unopened
    Not Available on eBay or Amazon
    This amazing 60 page publication contains 32 full-page color photographs of some of the important pieces of Japan’s greatest living artist.
    It draws from major pieces of private and public collections.
    This soft cover catalogue measures 9.5 by 11.75 inches. This publication a truly must have for any art lover as well as any devoted Shinoda follower or collector.
    The books will be carefully packaged to ensure they arrive in perfect condition.
    We are happy to offer
    FREE SHIPPING IN THE USA
    (media class)
    .
    Returns will be allowed, at buyer’s expense within 14 days, provided the books are returned in its same perfect, saleable condition.
    For international buyers please note:
    ·
    Buyer is responsible for all import duties, taxes and other charges.
    These are not included in   the price of the item or the shipping charges.
    ·
    Please check with your country’s customs office to determine what import duties, taxes and other charges will be prior to bidding/buying.
    ·
    Customs declaration forms will be filled out properly and not marked as a “gift” or undervalued.
    ·
    Please pay with PayPal only.
    PLEASE LET US KNOW IF YOU HAVE ANY QUESTIONS!
    Please see our other listings for unique and collectible contemporary Japanese prints.
    About the artist
    At 106, Toko Shinoda is undoubtedly one of Japan’s leading, living artists. Her international acclaim is based on her dynamic calligraphy, sumi (ink) paintings, and lithographs.
    She is one of the foremost calligraphers, painters and print makers in Japan. Shinoda is the master of an intricate manner of writing tracing back 3000 years.
    Executed in black with subtle tonalities of grey, her prints are composed with an elegance which cannot be improved upon. Her prints have a special originality because she usually adds a brush stroke touch of color by hand which adds drama to the inimitable balance of the composition. To do this she mixes her red, blue, or gold sumi inks from blocks that are 300 to 500 hundred years old.
    This is why her works feel right at home in ultra-modern settings as well as next to 3000 year old antiquities.
    Under her father’s guidance the artist first began studying calligraphy at the age of six. Even as a child she disliked the standard way of copying Japanese characters and was always searching for new expression in her work.
    A two-year stay in New York in the 1950s introduced Shinoda to the abstract expressionists who influenced Shinoda to break free of tightly controlled calligraphy and instead use expansive, dynamic brush strokes.
    Over the years she has walked farther and farther along the path of abstract art. Her work developed as she began to grasp a simple momentary fleeting image and quickly give it graphic life.
    Shinoda’s works are in the
    National Museum of Modern Art - Tokyo,
    Museum of Modern Art - New York, the Guggenheim Museum – New York, British Museum – London,
    Art Institute of Chicago, Singapore Museum, Brooklyn Museum, Cincinnati Art Museum,
    the Rockefeller and Ford Foundation collections. In July of 2013, in an around the world celebration of her 100
    th
    birthday, the Metropolitan Art Museum purchased one of her pieces to highlight their new Japanese exhibit. Her 28-meter mural is in the Zojoji temple in Tokyo and another large piece is featured in the Japanese Embassy in Washington. In 1979, Shinoda’s talents as a writer were also recognized when she was awarded a prize by the Japan Essayist Club for her book,
    The Color of Sumi
    . In a 1983 issue of TIME, her trail-blazing accomplishments were proclaimed analogous to Picasso’s.